Archives For 400 Blows

In this age of side-taking and constant arguing, I think what gets lost “appreciation” film is that love of sharing. Sure, it’s fun for me to tell my friend, Ryan McNeil, how wrong he is about films, and getting into arguments is fun, too. But you know what’s more fun? Enjoying a film together with someone else. Sharing an appreciation. This is doubly true as a film lover who often gets other people to watch films I already love.

My mom, for example, is particularly open to watching all sorts of films. Sharing films with her is a joy because she’ll actually watch most anything I recommend to her. She won’t like everything, but she’s open, and I’m usually pretty good at figuring out what she’d like. For example, a couple weeks ago we were looking for a movie to watch on Netflix, without even really asking her or telling her about it, I put on The Skin I Live In. The name “Antonia Banderas” was enough to pique her interest—stupid, sexy Antonio—and so she gladly sat down to watch it with me. About thirty minutes in, with the disturbing elements of the film making themselves known, she said, “I’m not sure I like this film.” But guess what? She stuck it through. She watched the whole thing, and when the final, gut-punching scene came around, all she could was was, “Wow!” Click to read more.

If you’re not already a regular reader of Matt Singer’s Indiewire Criticwire blog, you’re seriously missing out. Every day, Matt posts amazing content and commentary about the state of film criticism and film appreciation. Some of the best film discussions on the net begin or end up at Criticwire, which makes it an invaluable source for cinephiles today. But what about those budding cinephiles out there? What about the kids who aren’t yet exposed to the wider world of film? Well, Criticwire has that covered this week with the latest entry in the Criticwire Survey column. Every week, Matt Singer poses a question to a selection of online film critics and then posts the responses. This week he had a particularly interesting question submitted by contributor Rania Richardson.

“I mentor a 14-year-old from Harlem and nothing would make me happier than to have her enjoy ‘art house’ movies. She goes to Hollywood movies in chain theaters, and doesn’t particularly like what she sees. Of course, the fact that she’s African-American makes it even harder for me to find movies that I think would speak to her. She is sophisticated and would probably not mind some subtitles and nontraditional narratives. Help!”

It’s a really great question. What “art house” movies could you recommend to a kid about 14 years old who hasn’t yet had much exposure to films outside the Hollywood norm? The answers were varied, and in some ways quite indicative of the people recommending. Particularly interesting to me were the responses that I couldn’t imagine subjecting a kid to. Click to read more.